Tinguely
著者
書誌事項
Tinguely
(Catalogus, no. 927)
Verlag der Buchhandlung Walther König, c2016
- : hbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of the exhibition, "Jean Tinguely. Super Meta Maxi" held at Museum Kunstpalast, Düsseldorf, Apr. 23-Aug. 14, 2016; "Jean Tinguely - Machine Spectacle" held at Stedelijk Museum, Amsterdam, Oct. 1, 2016 - Mar. 5, 2017
内容説明・目次
内容説明
This publication offers an extensive overview of the work and life of Jean Tinguely, the Swiss artist who was instrumental in the development of kinetic art. While Tinguely's mechanical metal sculptures may seem witty and playful, their charming absurdity has a dark side: he contrasts play, pleasure and irony with aggression, self-destruction and a fear of death in an engaging and compelling oeuvre. In contrast to the canonic Tinguely discourse, that largely concentrates on the playful, kinetic aspects of his machines, this study will be the first-ever to scrutinize the more topical, theoretical, interdisciplinary and critical aspects of his work. Renowned authors on the subject of 1960s art will discuss the ambiguous nature of Tinguely's work. They will, for instance, examine the infectious cheerfulness of the machines that connects with a darker, more ambivalent view of human existence and death; the predisposition towards - and rejection of - technological advances; Tinguely's utopian yet simultaneously dystopian vision of society; his love of art history and the museum paired with anti-institutional critique and, of course, his paradoxical relationship to materiality/production and destruction. The publication ends with a panel discussion of the meaning of Tinguely for visual art and the museum in the 21st century.
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