Ghost movies in Southeast Asia and beyond : narratives, cultural contexts, audiences
著者
書誌事項
Ghost movies in Southeast Asia and beyond : narratives, cultural contexts, audiences
(Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, v. 306 . Southeast Asia mediated / edited by Bart Barendregt,
Brill, c2016
- : hardback
- タイトル別名
-
Southeast Asia and beyond
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception.
In the middle of the Asian crisis of the late 1990s, ghost movies became major box office hits. The emergence of the phenomenally popular "J-Horror" genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion.
目次
Peter J. Braunlein: 'Cinema-Spiritualism' in Southeast Asia and Beyond: Encounters with Ghosts in the 21st Century
Section 1: Narratives
Vivian Lee: Ghost Movies in Southeast Asia: Universal Hybrids-The Trans/local Production of Pan-Asian Horror
Elisabeth Scherer: Well-Travelled Female Avengers: The Transcultural Potential of Japanese Ghosts
Martin Platt: Telling Tales: Variety, Community, and Horror in Thailand
Maren Wilger: 'Sundelbolong' as a Mode of Femininity: Analysis of Popular Ghost Movies in Indonesia
Section 2: Cultural Contexts
Katarzyna Ancuta: That's the Spirit! Horror Films as an Extension of Thai Supernaturalism
Benjamin Baumann: The Khmer Witch Project: Demonizing the Khmer by Khmerizing a Demon
Henri Myrttinen: Stepping Out from the Silver Screen and into the Shadows: The Fearsome, Ephemeral Ninjas of Timor-Leste
Section 3: Audience
Mary Ainslie: The Supernatural and Post-War Thai Film: Traditional Monsters and Social Mobility
Natalie Boehler: Globalized Haunting: The Transnational Spectral in Apichatpong's Syndromes and a Century and its Reception
Patrick Keilbart: Pencak Silat, Ghosts, and (Inner) Power: Reception of Martial Arts Movies and Television Series amongst Young Pencak Silat Practitioners in Indonesia
Ghost Movies, the Makers, and their Audiences: Andrea Lauser in Conversation with the Filmmakers Katarzyna Ancuta, Solarsin Ngoenwichit from Thailand and Mattie Do from Laos
About the Authors
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