Pick yourself up : Dorothy Fields and the American musical
著者
書誌事項
Pick yourself up : Dorothy Fields and the American musical
(Broadway legacies / Geoffrey Block, series editor)
Oxford University Press, 2010
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes indexes
内容説明・目次
内容説明
Dorothy Fields was best known as a lyricist, one of the few women who played a central role in the great period of American popular song from 1920 to 1960. Fields first became prominent writing the lyrics for Cotton Club shows in Harlem in the late 1920s and 1930s, and her most successful collaboration was with the great songwriter Jerome Kern. Her role as a music creator in a world dominated by men makes a fascinating and unusual story- with particular interest for
woman today. Dorothy Fields first became prominent writing the lyrics for Cotton Club shows in Harlem in the late 1920s and 1930s, which included such songs as "I Can't Give You Anything But Love, Baby," and "On the Sunny Side of the Street." Her most successful collaboration was with the great
songwriter Jerome Kern on three 1930s films, including the incomparable Swing Time with Rogers and Astaire, which produced such classic songs as "The Way You Look Tonight" and "A Fine Romance." Fields also collaborated with such prominent composers as Sigmund Romberg, Fritz Kreisler, Harold Arlen, Burton Lane, Arthur Schwartz, and Cy Coleman. Her lyrics were colloquial and urbane, sometimes slangy and sometimes sensuous. Her role as a music creator in a world dominated by men makes a
fascinating and unusual story- with particular interest for woman today. Greenspan further discusses Fields in relation to other women songwriters and lyricists of the time.
目次
- 1. The World of Her Father
- 2. The World of Her Family
- 3. The Teen Years
- 4. Marriage and Start of Career
- 5. What's Black and White and Heard All Over
- 6. Give My Refrains to Broadway
- 7. Hello to Hollywood
- 8. Change Partners and Write
- 9. The Best of Hollywood
- 10. End of an Era
- 11. Hollywood Through a Broadway Lense
- 12. Librettos Instead of Lyrics
- 13. Up In Central Park
- 14. Annie Get Your Gun
- 15. More Movies
- 16. The American Colonies and Brooklyn
- 17. Something Old, Something New
- 18. Sweet Charity
- 19. It's Where you Finish
- Appendix 1: List of Songs
- Appendix 2: List of Theatre Works and Movies / Endnotes
「Nielsen BookData」 より