Arab cinema : history and cultural identity
著者
書誌事項
Arab cinema : history and cultural identity
American University in Cairo Press, c2016
Rev. and updated ed
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Previous ed.: 2007
Includes bibliographical references (p. [377]-398) and indexes
内容説明・目次
内容説明
Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history-economic, ideological, and aesthetic-with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of "cultural repackaging."Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States.
While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
目次
Introduction
Theoretical basis
Culture and identity
1. The History of Arab Cinema
Encounter with a new medium
Production during the colonial period
Cinema and resistance
National film making and the state
Education and know-how
Hollywood or socialism
The crisis of the public sector
Censorship
Cinema artisanal and coproduction
Diversification in the satellite era
2. Artistic Roots of Arab Cinema
Image and symbolic arrangement
The theater
Language and the art of narration
Music
3. Cultural Identity and Genre
The literary adaptation
Realism
History in cinema
Cinema d'auteur
4. Conclusion
5. Arab Cinema Today: A Postscript
This postscript
Arab filmmaking: old and new
Cinema in the Maghreb restructured
New media and 'independent' cinema
Lebanese film: war and antiheroism
Palestine: the cost of resistance
Iraq: deconstructing the nation?
Syrian film: art or paralysis?
Tunisia: the dogma of female liberation
Reconnecting to the popular
Notes
Bibliography
Index of Titles
Index of Names
「Nielsen BookData」 より