Brass bands of the world : militarism, colonial legacies, and local music making
Author(s)
Bibliographic Information
Brass bands of the world : militarism, colonial legacies, and local music making
Ashgate, c2013
- :pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"SOAS musicology series"--CIP and jacket
Includes bibliographical references (p. [217]-234), discography (p. [235]), and index
Description and Table of Contents
Description
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
Table of Contents
- Contents: Foreword, Charles Keil
- Introduction: the world of brass bands, Katherine Brucher and Suzel Ana Reily
- Brass and military bands in Britain - performance domains, the factors that construct them and their influence, Trevor Herbert
- Western challenge, Japanese musical response: military bands in modern Japan, Sarah McClimon
- Battlefields and the field of music: South Korean military band musicians and the Korean War, Heejin Kim
- From processions to encontros: the performance niches of the community bands of Minas Gerais, Brazil, Suzel Ana Reily
- The representational power of the New Orleans brass band, Matt Sakakeeny
- Soldiers of God: the spectacular musical ministry of the Christmas bands in the Western Cape, South Africa, Sylvia Bruinders
- Composing identity and transposing values in Portuguese amateur wind bands, Katherine Brucher
- Playing away: liminality, flow and communitas in an Ulster flute band's visit to a Scottish Orange parade, Gordon Ramsey
- From village to world stage: the malleability of Sinaloan popular brass bands, Helena Simonett
- Bibliography
- Discography
- Index.
by "Nielsen BookData"