Vogue on Giorgio Armani
著者
書誌事項
Vogue on Giorgio Armani
Quadrille, 2015
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [158]) and index
内容説明・目次
内容説明
Armani's style is elegance and sensual simplicity incarnate. 'Few names in fashion conjure so distinctive a look,' said British Vogue.
For Armani, design has always been about an easy, timeless grace, not constantly changing trends; clothes meant to compliment the body, not merely cover it. With his careful removal of extraneous internal structure, emphasis on the human form and the use of soft textiles and a muted colour palette, Armani changed the face of fashion from haute couture to the high street. He revolutionised the way both men and women looked and dressed, taking away formality and fuss as surely as he ripped out linings and interlinings.
With his principles of style, simplicity and practicality, Armani deconstructed the fashion world. From inauspicious beginnings as a department store window-dresser, he funded his first company by selling his car. 40 years on, he oversees a multi-billion dollar empire with over 250 stores in 33 countries worldwide.
One of the first designers to truly utilise the appeal of Hollywood, his seminal wardrobe for Richard Gere in the 1980 film American Gigolo helped cement his as the look of the late 20th century. His frequent collaborations with luminaries such as Martin Scorsese, Leonardo Di Caprio, Cate Blanchett and Lady Gaga have all contributed to making the shy, reserved but dedicated Armani the first superstar designer of the modern age. Vogue on: Giorgio Armani charts the rise of a small town boy to a fashion monolith.
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