Reflections on musical meaning and its representations
著者
書誌事項
Reflections on musical meaning and its representations
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2011
- : pbk
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注記
Includes bibliographical references (p. 289-304) and index
内容説明・目次
内容説明
How is it possible to talk or write about music? What is the link between graphic signs and music? What makes music meaningful? In this book, distinguished scholar Leo Treitler explores the relationships among language, musical notation, performance, compositional practice, and patterns of culture in the presentation and representation of music. Treitler engages a wide variety of historical sources to discuss works from medieval plainchant to Berg's opera Lulu and a range of music in between.
目次
Introduction
I. Language
1. Language and the Interpretation of Music
2. Being at a Loss for Words
3. Beethoven's "Expressive" Markings
II. Performance-
4. The Immanence of Performance in Medieval Song
5. Early Recorded Performances of Chopin Waltzes and Mazurkas: The Relation to the Text
III. Notation
6. What Kind of Thing is Musical Notation?
7. Sketching Music, Writing Music
IV. Interpretative Frames
8. The Lulu Character and the Character of Lulu
9. History and Archetypes
10. Gender and Other Dualities of Music History
11. Hermeneutics, Exegetics, or What?
12. Facile Metaphors, Hidden Gaps, Short Circuits: Should We Adore Adorno?
Notes
Bibliography
Index
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