Men・women・ and chain saws : gender in the modern horror film
著者
書誌事項
Men・women・ and chain saws : gender in the modern horror film
（Princeton classics）
Princeton University Press, 2015
1st Princeton classics ed
- : pbk
- タイトル別名
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Men, women, and chain saws : gender in the modern horror film
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注記
"First paperback printing, 1993. First Princeton Classics edition, with a new preface by the author, 2015"--T.p. verso
Includes bibliographical references (p. [243]-253) and index
内容説明・目次
内容説明
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers. Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.
目次
Preface to the Princeton Classics Edition ix Acknowledgements xv Introduction: Carrie and the Boys 3 Chapter 1 Her Body, Himself 21 Chapter 2 Opening Up 65 Chapter 3 Getting Even 114 Chapter 4 The Eye of Horror 166 Afterword 231 Films Cited 237 Works Cited 243 Index 255
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