Enfolding silence : the transformation of Japanese American religion and art under oppression
著者
書誌事項
Enfolding silence : the transformation of Japanese American religion and art under oppression
(American Academy of Religion academy series)
Oxford University Press, c2016
- : hardback
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [245]-258) and index
内容説明・目次
内容説明
This book demonstrates how Japanese Americans have developed traditions of complex silences to survive historic moments of racial and religious oppression and how they continue to adapt these traditions today. In order to examine Japanese Americans' complex relationship to silence, Brett Esaki offers four case studies of Japanese American art-gardening, origami, jazz, and monument construction-and examines how each artistic practice has responded to a historic
moment of oppression. In doing so, he finds that these artistic silences incorporate and convey obfuscated religious ideas from Buddhism, Christianity, Confucianism, Shinto, indigenous religions, and contemporary spirituality.
While silence is often thought of as the binary opposite and absence of sound, this book provides a non-binary theory of silence that articulates how multidimensional silences are formed and how they function. Brett Esaki argues that non-binary silences have allowed Japanese Americans to disguise, adapt, and innovate religious resources in order to negotiate racism and oppressive ideologies from both the United States and Japan. Drawing from the fields of religious studies, ethnic studies,
theology, anthropology, art, music, history, and psychoanalysis, this book highlights the ways in which silence has been used to communicate the complex emotions of historical survival, religious experience, and artistic inspiration.
目次
List of Figures
Acknowledgements
Introduction: "They're Just like White Kids": Genealogy and Theory of Japanese American Non-Binary Silence
Chapter 1: Gardening, the Silence of Space, and the Humanity of Judgment
Chapter 2: Origami, the Silence of Self, and the Spirit of Vulnerability
Chapter 3: Jazz, the Silence of Time, and Modes of Justice
Chapter 4: Monuments, the Silence of Legacy, and Kodomo Tame Ni
Epilogue: "Whiz Kids"?: Racial Shamelessness, the Model Minority, and the Future of Silence
Notes
Bibliography
Appendix: Background Information Sheet and Interview Questionnaire
Index
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