Music and protest in 1968
Author(s)
Bibliographic Information
Music and protest in 1968
(Music since 1900)
Cambridge University Press, 2015, c2013
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"First published 2013, first paperback edition 2015"--T.p. verso
Bibliography: p. 273-299
Discography: p. 300-303
Includes index
Description and Table of Contents
Description
Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
Table of Contents
- Introduction Beate Kutschke
- 1. Expressive revolutions: '1968' and music in The Netherlands Robert Adlington
- 2. Music as plea for political action: the presence of musicians in Italian protest movements around 1968 Gianmario Borio
- 3. 'This is my country': American popular music and political engagement in '1968' Sarah Hill
- 4. Spontaneity and Black consciousness: South Africans imagining musical and political freedom in 1960s Europe Carol Muller
- 5. Vietnamese popular song in '1968': war, protest and sentimentalism Barley Norton
- 6. Music and protest in Japan: the rise of underground folk song in '1968' Toru Mitsui
- 7. 'There is no revolution without song': 'new song' in Latin America Jan Fairley
- 8. 'The power of music': antiauthoritarian music movements in Scandinavia in '1968' Alf Bjoernberg
- 9. British rock: the short '1968', and the long Allan Moore
- 10. '1968' and the experimental revolution in Britain Virginia Anderson
- 11. Antiauthoritarian revolt by musical means on both sides of the Berlin Wall Beate Kutschke
- 12. '1968' - the emergence of a protest culture in the popular music of the Eastern Bloc? Rudiger Ritter
- 13. Gendering '1968': womanhood in model works of the People's Republic of China and movie musicals of Hong Kong Hon-Lun Yang
- 14. A revolution in sheep's wool stockings: early music and '1968' Kailan Rubinoff
- 15. Music and May 1968 in France: practices, roles, representations Eric Drott.
by "Nielsen BookData"