Biofictional histories, mutations, and forms
Author(s)
Bibliographic Information
Biofictional histories, mutations, and forms
Routledge, 2017
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Originally published as a special issue of A/b: auto/biography studies."--On p. [i]
Includes bibliographical references and index
Description and Table of Contents
Description
Biofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Toibin, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world's most prestigious awards for fiction.
However, in spite of the prominence of these authors, works, and awards, there has been considerable confusion about the nature of biofiction. This collection of process pieces and academic essays from authors and scholars of biofiction defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, illustrates how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was originally published as a special issue of a/b: Auto/Biography Studies.
Table of Contents
Introduction: Locating and Defining the Bio in Biofiction 1. Going for the Subjective: One way to Write Biographical Fiction 2. Writing Biographical Fiction: Some Personal Reflections 3. On Hoaxes, Humbugs, and Fictional Portraiture 4. The Rise of the Biographical Novel and the Fall of the Historical Novel 5. The President's Glands: Somatic Interiority and the Referents of Biographical Fiction in American Adulterer 6. The Notable Woman in Fiction: The Afterlives of Elizabeth Barrett Browning
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