Memory and complicity : migrations of Holocaust remembrance
Author(s)
Bibliographic Information
Memory and complicity : migrations of Holocaust remembrance
Fordham University Press, 2015
1st ed
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
Since World War II, French and Francophone literature and film have repeatedly sought not to singularize the Holocaust as the paradigm of historical trauma but rather to connect its memory with other memories of violence, namely that of colonialism. These works produced what Debarati Sanyal calls a "memory-in-complicity" attuned to the gray zones that implicate different regimes of violence across history as well as those of different subject positions such as victim, perpetrator, witness, and reader/spectator. Examining a range of works from Albert Camus, Primo Levi, Alain Resnais, and Jean-Paul Sartre to Jonathan Littell, Assia Djebar, Giorgio Agamben, and Boualem Sansal, Memory and Complicity develops an inquiry into the political force and ethical dangers of such implications, contrasting them with contemporary models for thinking about trauma and violence and offering an extended meditation on the role of aesthetic form, especially allegory, within acts of transhistorical remembrance. What are the political benefits and ethical risks of invoking the memory of one history in order to address another? What is the role of complicity in making these connections? How does complicity, rather than affect based discourses of trauma, shame and melancholy, open a critical engagement with the violence of history? What is it about literature and film that have made them such powerful vehicles for this kind of connective memory work?
As it offers new readings of some of the most celebrated and controversial novelists, filmmakers, and playwrights from the French-speaking world, Memory and Complicity addresses these questions in order to reframe the way we think about historical memory and its political uses today.
Table of Contents
Table of Contents: Introduction Chapter One: A Soccer Match in Auschwitz: Passing Trauma in Holocaust Studies From Primo Levi's Gray Zone to Giorgio Agamben's Shame Traumatic Complicity From Paradigm to Figure: Rereading the Gray Zone as Allegory Chapter Two: Concentrationary Migrations in and around Albert Camus Figural Contagion and Historical cordon sanitaire: The Plague Memory and Migration: Reenvisioning Algeria Concentrationary Circulations: Le Metier a tisser and Night and Fog Figure as Archive: Reading The Fall with Auschwitz and Algeria History's Endless Cry: Allegory Unbound in The Fall Chapter Three: Auschwitz as Allegory: From Night and Fog to Guantanamo Bay An Aesthetics of Complicity Allegory, Ruins, and History The Transcultural Politics of Concentrationary Memory Colonial Countermemories: Night and Fog in Thiaroye Coda: From Postwar France to Guantanamo Bay Chapter Four: Crabwalk History: Torture, Allegory, and Memory in Sartre Chapter 5: Reading Nazi Memory in Jonathan Littell's The Kindly Ones Memory's Manufacture: The "Complicity Effect" of a Perpetrator's Testimony Itineraries of Trauma and Tourism Imperial Lanscapes: Intersections of Colonialism and Genocide Chapter Six: Holocaust and Colonial Memory in the Age of Terror: Assia Djebar and Boualem Sansal Urban Palimpsests and the Claims of Memory in Assia Djebar's Les Nuits de Strasbourg Against Identification: Bad Education, Trauma, and Citizenship Holocaust Memory, Gray Zones and the War on Terror: Boualem Sansal's Le Village de l'Allemand Afterword
by "Nielsen BookData"