Titian : the Grimani Risen Christ : an early masterpiece
Author(s)
Bibliographic Information
Titian : the Grimani Risen Christ : an early masterpiece
Hirmer, c2016
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalog of an exhibition held at the Los Angeles County Museum of Art, February 15 - May 31, 2016
Description and Table of Contents
Description
Titian was the most important Venetian artist of the sixteenth century. His paintings are among the most-admired works in collections and museums worldwide. This volume shows for the first time a sensational find: his early painting "The Grimani Risen Christ", which was in the possession of one of the most important family collections in Venice. Christ stands on the tomb like an emperor of Antiquity. An impressive scene, but it is not only the pose which captivates the viewer. The spectacular element lies in the boldness with which the dramatic Easter morning sky in the background is represented. This detail demonstrates the genius with which Titian exploited the colours and their full potential: "In this spectacular detail, the medium of paint is exploited to its highest potential. It is as if the light embodies a supernatural energy causing the shroud to billow and Christ's pennant to flutter." In addition it has been possible to penetrate to the origins of the picture. It was in the possession of the Grimanis, one of the most illustrious patrician families and the most important collectors in Venice at the time.
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