A new vocabulary for global modernism
Author(s)
Bibliographic Information
A new vocabulary for global modernism
(Modernist latitudes)
Columbia University Press, c2016
- : pbk
- : cloth
Available at 7 libraries
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  Toyama
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  Gifu
  Shizuoka
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  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
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  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
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Note
Includes bibliographical references and index
Contents of Works
- Introduction / Eric Hayot and Rebecca L. Walkowitz
- Alienation / Christopher Reed
- Animal / Efthymia Rentzou
- Antiquity / David Damrosch
- Classic / Tsitsi Jaji
- Context / Christopher Bush
- Copy / Jacob Edmond
- Form / Jahan Ramazani
- Libraries / B. Venkat Mani
- Obsolescence / Mark Goble
- Pantomime / Monica L. Miller
- Puppets / Martin Puchner
- Slum / David Pike
- Style / Judith Brown
- Tradition / Rachel Adams
- Translation / Gayle Rogers
- War / Mariano Siskind
Description and Table of Contents
Description
Bringing together leading critics and literary scholars, A New Vocabulary for Global Modernism argues for new ways of understanding the nature and development of twentieth-century literature and culture. Scholars have largely understood modernism as an American and European phenomenon. Those parameters have expanded in recent decades, but the incorporation of multiple origins and influences has often been tied to older conceptual frameworks that make it difficult to think of modernism globally. Providing alternative approaches, A New Vocabulary for Global Modernism introduces pathways through global archives and new frameworks that offer a richer, more representative set of concepts for the analysis of literary and cultural works. In separate essays each inspired by a critical term, this collection explores what happens to the foundational concepts of modernism and the methods we bring to modernist studies when we approach the field as a global phenomenon. Their work transforms the intellectual paradigms we have long associated with modernism, such as tradition, antiquity, style, and translation.
New paradigms, such as context, slum, copy, pantomime, and puppets emerge as the archive extends beyond its European center. In bringing together and reexamining the familiar as well as the emergent, the contributors to this volume offer an invaluable and original approach to studying the intersection of world literature and modernist studies.
Table of Contents
Acknowledgments 1. Introduction, by Eric Hayot and Rebecca L. Walkowitz 2. Alienation, by Christopher Reed 3. Animal, by Efthymia Rentzou 4. Antiquity, by David Damrosch 5. Classic, by Tsitsi Jaji 6. Context, by Christopher Bush 7. Copy, by Jacob Edmond 8. Form, by Jahan Ramazani 9. Libraries, by B. Venkat Mani 10. Obsolescence, by Mark Goble 11. Pantomime, by Monica L. Miller 12. Puppets, by Martin Puchner 13. Slum, by David Pike 14. Style, by Judith Brown 15. Tradition, by Rachel Adams 16. Translation, by Gayle Rogers 17. War, by Mariano Siskind Appendix: More Vocabulary Contributors Index
by "Nielsen BookData"