Film festivals : history, theory, method, practice
著者
書誌事項
Film festivals : history, theory, method, practice
Routledge, 2016
- : hardback
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals.
Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading.
This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.
目次
Preface
The Film Festival and Film Culture's Transnational Essence
Dina Iordanova
Introduction
What is a Film Festival? How to Study Festivals and Why You Should
Marijke de Valck
Part I
History
Introduction
Brendan Kredell
1 Making Film History at the Cannes film festival
Dorota Ostrowska
2 Film Festivals in Asia: Notes on History, Geography and Power from a Distance
Julian Stringer
3 The Film Festival Circuit: Networks, Hierarchies, and Circulation
Skadi Loist
Part II
Theory
Introduction
Marijke de Valck
4 Contingency, Time and Event: An Archaeological Approach to the Film Festival
Janet Harbord
5 Publics and Counterpublics: Rethinking Film Festivals as Public Spheres
Cindy Hing-Yuk Wong
6 Fostering Art, Adding Value, Cultivating Taste: Film Festivals as Sites of Cultural Legitimization
Marijke de Valck
Part III
Method
Introduction
Skadi Loist
7 Being There, Taking Place: Ethnography at the Film Festival
Toby Lee
8 On Studying Film Festival Ephemera: The Case of Queer Film Festivals and Archives of Feelings
Ger Zielinski
9 Positionality and Film Festival Research: A Conversation
Diane Burgess and Brendan Kredell
Part IV
Practice
Introduction
Brendan Kredell
10 Seeing Differently: The Curatorial Potential of Film Festival Programming
Roya Rastegar
11 Affective Labor and the Work of Film Festival Programming
Liz Czach
12 "The Festival Film": Film Festival Funds as Cultural Intermediaries
Tamara L. Falicov
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