Aestheticism and sexual parody, 1840-1940
Author(s)
Bibliographic Information
Aestheticism and sexual parody, 1840-1940
（Cambridge studies in nineteenth-century literature and culture, 31）
Cambridge University Press, 2006
- : pbk
Available at 1 libraries
Note
Originally published: 2001
Includes bibliographical references (p. 151-187) and index
Description and Table of Contents
Description
This original and provocative 2001 study discusses the work of a number of authors in the nineteenth and twentieth centuries in order to argue that mainstream society was enabled to accept the non-normative sexuality of the Aesthetic Movement chiefly through parody and self-parody. Highlighting Victorian popular culture, Aestheticism and Sexual Parody adds an important dimension to the theorisations of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama and Vernon Lee and Christopher Isherwood's prose to George du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the parodies' interactions with the personae and texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde. In doing so, he considers the impact that these interactions had on modern ideas of gender, sexuality, taste and politics.
Table of Contents
- Acknowledgments
- Introduction
- 1. Alfred Tennyson and the critical sexualization of Aestheticism
- 2. The leering creatures of W. H. Mallock and Vernon Lee
- 3. Gigolo economics: W. S. Gilbert and the market value of parodic promiscuity
- 4. 'Men of my own sex': genius, sexuality, and George du Maurier's artists
- 5. Epistemological misfiring in the aestheticist camp of Ada Leverson and Robert Hichens
- 6. Max Beerbohm, Christopher Isherwood, and Camp Homage
- Epilogue
- Notes
- Works cites
- Index.
by "Nielsen BookData"