Netherlandish art in its global context De mondiale context van Nederlandse kunst

書誌事項

Netherlandish art in its global context = De mondiale context van Nederlandse kunst

editors, Thijs Weststeijn, Eric Jorink, Frits Scholten = redactie, Thijs Weststeijn, Eric Jorink, Frits Scholten

(Nederlands kunsthistorisch jaarboek, d. 66)

Brill, 2016

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注記

Includes bibliographical references

内容説明・目次

内容説明

Netherlandish art testifies in various ways to the interconnectedness of the Early Modern world. New trade routes, the international Catholic mission, and a thriving publishing industry turned Antwerp and Amsterdam into capitals of global exchange. Netherlandish prints found a worldwide public. At home, everyday lives changed as foreign luxuries, and local copies, became widely available. Eventually, Dutch imitations of Chinese porcelain found their way to colonists in Surinam. This volume of the Netherlands Yearbook for History of Art breaks new ground in applying the aims and approaches of global art history to the Low Countries, with essays ranging from Greenland to South Africa and Mexico to Sri Lanka. The Netherlands, as a fringe area of the Habsburg Empire marked by internal fault lines, demonstrated remarkable artistic flexibility and productivity in the first period of intensive exchange between Europe and the rest of the world.

目次

Table of Contents Thijs Weststeijn Introduction: Global art history and the Netherlands Nicole Blackwood Meta Incognita: Some hypotheses on Cornelis Ketel's lost English and Inuit portraits Stephanie Porras Going viral? Maerten de Vos's St Michael the Archangel Christine Goettler 'Indian daggers with idols' in the early modern constcamer. Collecting, picturing and imagining 'exotic' weaponry in the Netherlands and beyond Barbara Uppenkamp 'Indian' motifs in Peter Paul Rubens's The martyrdom of Saint Thomas and The miracles of Saint Francis Xavier Thijs Weststeijn and Lennert Gesterkamp A new identity for Rubens's 'Korean man': Portrait of the Chinese merchant Yppong Ebeltje Hartkamp-Jonxis Sri Lankan ivory caskets and cabinets on Dutch commission, 1640-1710 Julie Berger Hochstrasser A South African mystery: Remarkable studies of the Khoikhoi Ching-Ling Wang A Dutch model for a Chinese woodcut: On Han Huaide's Herding a bull in a forest Annemarie Klootwijk Curious Japanese black. Shaping the identity of Dutch imitation lacquer Thomas DaCosta Kaufmann The 'Netherlandish model'? Netherlandish art history as/and global art history

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  • Nederlands kunsthistorisch jaarboek

    D.A. Daamen Uitg. Mij. 1947-

    [1] , [2] , [3] , [4] , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21 , 22 , 23 , 24 , table of contents of v. 1(1947)-27(1976)

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詳細情報

  • NII書誌ID(NCID)
    BB22839153
  • ISBN
    • 9789004334977
  • 出版国コード
    ne
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Leiden
  • ページ数/冊数
    295 p.
  • 大きさ
    27 cm
  • 親書誌ID
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