Hijikata Tatsumi and Butoh : dancing in a pool of gray grits

Author(s)

    • Baird, Bruce

Bibliographic Information

Hijikata Tatsumi and Butoh : dancing in a pool of gray grits

Bruce Baird

(Palgrave studies in theatre and performance history)

Palgrave Macmillan, 2016

  • : pbk

Available at  / 5 libraries

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Note

"Paperback edition published 2016. first published in hardcover 2012" -- T.p. verso

Includes bibliographical references (p. [269]-281) and index

Description and Table of Contents

Description

Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene. Since then, though interest has grown exponentially, and people all over the world are drawn to butoh's ability to enact paradox and contradiction, audiences are less knowledgeable about the contributions and innovations of the founder of butoh. Hijikata Tatsumi and Butoh traces the rollicking history of the creation and initial maturation of butoh, and locates Hijikata's performances within the intellectual, cultural, and economic ferment of Japan from the sixties to the eighties.

Table of Contents

Introduction: And, And, And Outline of the Book Forbidden Eros and Evading Force: Hijikata's Early Years A Story of Dances that Sustain Enigma Pivoting Panels and Slashing Space: Rebellion and Identity My Mother Tied Me on Her Back: Story of Smallpox The Possibility Body: Embodying the Other, Negotiating the World Metaphorical Miscegenation in Memoirs: Hijikata Tatsumi in the Information Age Epilogue: The Emaciated Body in the World

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