The art of Japanese gardens
Author(s)
Bibliographic Information
The art of Japanese gardens
(The Kegan Paul Japan library)
Routledge, 2016
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"First issued in paperback 2016" -- T.p. verso
Includes bibliographical references (p. 291-292) and index
Description and Table of Contents
Description
The flowering of Far Eastern culture and philosophy as seen through the remarkable gardens they gave rise to. This classic work was one of the first to reveal the full meaning and symbolism of the gardens of China and Japan, and to treat them as serious works of art and material culture, rather than as quaint and pretty plantings. In spirit, the art of these gardens is akin to landscape painting; in form it is close to sculpture. Yet it is really quite different, a unique art based upon the choice and arrangement of natural materials in the creation of a scene that has the power to transform and inspire the viewer and gardener. Loraine E. Kuck begins her study with the naturalistic gardens of early China, progressing on to the gardens of Japan. She relates the development of gardens to the personalities who made them, to the historical background, to Eastern religion and philosophy, to the political events which shaped the culture of each period, to the arts in general and to painting, architecture and the tea ceremony in particular. Above all, her account brings alive a world in which mosses hold the warm promise of spring and hope in their velvet depths; in which the juxtaposition of pools and rocks invite meditation; where sunny slopes convey the calm of centuries and in which flowering cherry trees are viewed by moonlight, with tall lanterns throwing soft light on masses of flowers seen against the starry darkness of the sky. The work includes chapters on Heian gardens, the gardens of the Fujiwara period, the princely gardens of Tokugawa times and Zen landscapes, along with sixty-four pages of illustrations, including many rare photographs. Practical and inspirational, no other work so perfectly captures the spirituality, beauty and complex simplicity of these gardens that link heaven and earth.
Table of Contents
I. THE ANCIENT CHINESE PROTOTYPE II. THE MODERN CHINESE PROTOTYPE III. EARLIEST JAPANESE GARDENS IV. GARDENS OF HEIAN V. THE GLORY OF THE FUJIW ARAS VI. GARDENS OF THE WESTERN PARADISE VII. THE TRANSITION GARDENS VIII. MANSIONS OF MUROMACHI PART 1: THE GOLD PAVILION IX. MANSIONS OF MUROMACHI I PART 11: THE SILVER PAVILION x. THE PAINTING GARDENS XI. SERMON IN STONE XII. HIDEYOSHI'S GARDENS XIII. TEA GARDENS-THE DEWY PATH XIV. PRINCELY ESTATES OF TOKUGA W A TIMES XV. IMPRESSIONISTIC ZEN LANDSCAPES XVI. LITERAL LANDSCAPES ' XVII. MINIATURE GARDENS AND TOKUGAWA CONVENTIONS XVIII. GARDENS AND FLOWERS OF THE MODERN AGE
by "Nielsen BookData"