Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism
著者
書誌事項
Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism
Cambridge University Press, 2016
- : hardback
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 313-349) and index
内容説明・目次
内容説明
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
目次
- Introduction Benjamin Brand and David J. Rothenberg
- 1. Music and liturgy in medieval Capua Thomas Forrest Kelly
- 2. Theory meets practice: the model antiphon series Primum quaerite in Hucbald's Office In plateis and in other post-Carolingian chant Barbara Haggh-Huglo
- 3. Singing from the pulpit: polyphonic improvisation and public ritual in medieval Tuscany Benjamin Brand
- 4. Liturgy and politics in Renaissance Florence: the creation of the 1526 Office for St Zenobius Marica S. Tacconi
- 5. Music and pageantry in the formation of Hispano-Christian identity: the Feast of St Hippolytus in sixteenth-century Mexico City Lorenza Candelaria
- Part II. Archival and Source Studies: 6. The sources and the sanctorale: dating by the decade in thirteenth-century Paris Rebecca A. Baltzer
- 7. Vernacular contexts for the monophonic motet: notes from a new source Mark Everist
- 8. Tradition and innovation in fourteenth-century instrumental music: evidence from archival and musical sources Keith Polk
- 9. Melchior or Marchion de Civilibus, prepositus brixiensis: new documents Margaret Bent
- 10. Papal musicians at Cambrai in the early fifteenth century Alejandro Enrique Planchart
- 11. Sixtus IV, the Franciscans, and the beginning of music printing in fifteenth-century Rome Jane A. Bernstein
- Part III. Symbolism: 12. The gate that carries Christ: wordplay and liturgical imagery in a motet from c.1300 David J. Rothenberg
- 13. A musical lesson for a king from the Roman de Fauvel Anne Walters Robertson
- 14. Preaching to the choir? Obrecht's Motet for the Dedication of the Church M. Jennifer Bloxam
- 15. The Madonna triptych: a mystical reading of three early music videos Andrew Tomasello.
「Nielsen BookData」 より