Understanding popular culture and world politics in the digital age
Author(s)
Bibliographic Information
Understanding popular culture and world politics in the digital age
(Popular culture and world politics)
Routledge, 2016
- : hbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The practices of world politics are now scrutinised in a way that is unprecedented, with even those previously - or conventionally assumed to be - disengaged from international affairs being drawn into world politics by social media. Interactive websites allow users to follow election results in real-time from the other side of the world, and online mapping means that the world 'out there' is now available on your mobile phone. Understanding Popular Culture and World Politics in the Digital Age engages these themes in contemporary world politics, to better understand how digital communication through new media technologies changes our encounters with the world.
Whether the focus is digital media, social networking or user-generated content, these sites of political activity and the artefacts they produce have much to tell us about how we engage world politics in the contemporary age. This volume represents the starting point of a dialogue about how digital technologies are beginning to impact the research and practice of scholars and practitioners in the field of International Relations, with the collection of cutting-edge essays dealing specifically with the intertextuality of world politics and digital popular culture.
This book will be of use to International Relations research academics (and critically engaged publics) interested in the core themes of global politics - subjectivity, militarism, humanitarianism, civil society organisation, and governance. The book also employs theories and techniques closely associated with other social science disciplines, including political theory, sociology, cultural studies and media studies.
Table of Contents
PART ONE: Theorising Popular Culture and World Politics in the Digital Age
World Politics 2.0: An Introduction - Caitlin Hamilton
The Potentiality and Limits of Understanding World Politics in a Transforming Global Media Landscape - Sebastian Kaempf
Authors and Authenticity: Knowledge, Representation and Research in Contemporary World Politics - Laura J. Shepherd
PART TWO: Interrogating Social Media
Like and Share Forces: Making Sense of Military Social Media Sites - Rhys Crilley
Marketing Militarism in the Digital Age: Arms Production, YouTube and Selling 'National Security' - Susan Jackson
Remaking the Global: Social Media and Undocumented Immigrants in the US - Meghana Nayak
The Digital Politics of Celebrity Activism Against Sexual Violence: Angelina Jolie as Global Mother - Annika Bergman Rosamond
PART THREE: Digital Entertainment
Playing War and Genocide: Endgame: Syria and Darfur is Dying - Jessica Auchter
The Un-Scene Affects of On-Demand Access to War - M. Evren Eken
'Pocket-Sized' Politics: Binders, Big Bird, and Other Memes of the 2012 US Presidential Campaign - Sandra Yao
Collaging Internet Parody Images: An Art-Inspired Methodology for Studying Laughter in World Politics - Saara Sarma
by "Nielsen BookData"