Made in Hungary : studies in popular music
著者
書誌事項
Made in Hungary : studies in popular music
（Routledge global popular music series / edited by Franco Fabbri and Goffredo Plastino）
Routledge, 2017
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注記
Bibliography: p. 177-178
Includes index
収録内容
- Introduction : the study of popular music in Hungary / Emília Barna
- Setting up a tent in the "new Europe" : the Sziget festival of Budapest / Anna Szemere and Kata Márta Nagy
- Taming the extreme : Hungarian black metal in the mainstream publicity / Attila Gyulai
- Learned helplessness of a cultural scene : the Hungarian contemporary jazz scene through the eyes of its participants / Réka Szabó
- A translocal music room of one's own : female musicians within the Budapest lo-fi music scene / Emília Barna
- The songs remain the same : structures of cultural politics of retro in Hungarian pop music / Ferenc Hammer
- Hungarian in form, socialist in content : the concept of national dance music in Stalinist Hungary, 1949-56 / Ádám Ignácz
- Paper mohawk : on a missing Hungarian punk monograph / Norbert Vass
- Nothing but the music-- : the history of Hungarian funk music / József Havasréti
- The insecure village girl who found success, and her gentle deconstructions : Bea Palya / András Rónai
- Gloomy Sunday : the Hungarian "suicide hymn" between the myths and interpretations / Ágnes Patakfalvi-Czirják
- This kind of music informs you about the present state of the world : DJ Palotai's position within the contemporary Hungarian underground culture / Sándor Kálai
- The way they were : subcultural experiences of Emo fans from a retrospective aspect / Ádám Guld
- The growth of the Hungarian popular music repertoire : who creates it and how does it find an audience? / Dániel Antal
- Coda : my genes in my suitcase, my forehead in the atmosphere : perceptions of Hungarian popular music and its research abroad / Anna Szemere
内容説明・目次
内容説明
Emilia Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Halozatok Folyoirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal.
Tamas Tofalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
目次
Acknowledgments List of Illustrations Series Foreword Introduction: The Study of Popular Music in Hungary Part I: Scenes, Cultures and Identities 1. Setting Up a Tent in the "New Europe:" The Sziget Festival of Budapest 2. Taming the Extreme: Hungarian Black Metal in the Mainstream Publicity 3. Learned Helplessness of a Cultural Scene: The Hungarian Contemporary Jazz Scene through the Eyes of Its Participants 4. A Translocal Music Room of One's Own: Female Musicians within the Budapest Lo-Fi Music Scene Part II: History, Politics and Remembering 5. The Songs Remain the Same: Structures of Cultural Politics of Retro in Hungarian Pop Music 6. "Hungarian in Form, Socialist in Content:" The Concept of National Dance Music in Stalinist Hungary 7. Paper Mohawk: On a Missing Hungarian Punk Monograph 8. "Nothing But the Music ... :" The History of Hungarian Funk Music Part III: Artists, Receptions and Audiences 9. The Insecure Village Girl Who Found Success, and Her Gentle Deconstructions: Bea Palya 10. "Gloomy Sunday:" The Hungarian "Suicide Hymn" between the Myths and Interpretations 11. "This Kind of Music Informs You about the Present State of the World:" DJ Palotai's Position within the Contemporary Hungarian Underground Culture 12. The Way They Were: Subcultural Experiences of Emo Fans from a Retrospective Aspect 13. The Growth of the Hungarian Popular Music Repertoire: Who Creates It and How does It Find an Audience? 14. Coda: "My Genes in My Suitcase, My Forehead in the Atmosphere:" Perceptions of Hungarian Popular Music and Its Research Abroad Afterword: "A Dozen Songs Put in the Right Order:" A Conversation with Yonderboi Select Bibliography of Hungarian Popular Music Notes on Contributors Index
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