Funky Nassau : roots, routes, and representation in Bahamian popular music
Author(s)
Bibliographic Information
Funky Nassau : roots, routes, and representation in Bahamian popular music
（Music of the African diaspora, 15）
University of California Press, c2011
Available at 1 libraries
Note
Includes bibliographical references (p. 291-304) and index
Description and Table of Contents
Description
This book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands' location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, "Funky Nassau" illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
Table of Contents
List of Illustrations Preface Acknowledgments Map of the Bahamas 1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music 2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape 3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay 4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation 5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony 6. "Back to the Island": Travels in Paradox--Creating the Future-Past Epilogue Notes Bibliography Index
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