Della Robbia : sculpting with color in Renaissance Florence
Author(s)
Bibliographic Information
Della Robbia : sculpting with color in Renaissance Florence
MFA Publications, Museum of Fine Arts, c2016
1st ed
Available at 5 libraries
  Aomori
  Iwate
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  Kyoto
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  Shimane
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  Hiroshima
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  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
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  Okinawa
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Note
Published in conjunction with the exhibition held at the Museum of Fine Arts, Boston, Aug. 9-Dec. 4, 2016, and at the National Gallery of Art, Washington, D.C., Feb. 5-June 4, 2017
Exhibition organized by the Museum of Fine Arts, Boston, in association with the National Gallery of Art
Bibliography: p.157-159
Includes index
Description and Table of Contents
Description
The glazed terracotta technique invented by Luca della Robbia, along with his exceptional skill as a sculptor, placed him firmly in the first rank of Renaissance artists in the fifteenth century. This quintessentially Florentine art - taking the form of dazzling multicoloured ornaments for major buildings, delicately modelled and ingeniously constructed freestanding statues, serene blue-and-white devotional reliefs, charming portraits of children, and commanding busts of rulers, along with decorative and liturgical objects - flowed in abundance from the Della Robbia workshops for a hundred years. Developed further by each generation, the closely held technique achieved new heights of refinement and durability in modelling and colour, combining elements of painting and sculpture into a new and all but eternal medium. In the 19th century, revived interest in the Renaissance and in the Della Robbia brought their works into major collections beyond Italy, particularly in England and the United States. Recently, renewed attention from art historians, backed by sophisticated technical studies, has reintegrated the Della Robbia into the mainstream of Renaissance art history and illuminated their originality and accomplishments. This beautifully illustrated book invites readers to experience one of the great inventions of the Renaissance and the enduring beauty it captured.
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