Cultural anthropophagy : the 24th Bienal de São Paulo, 1998
著者
書誌事項
Cultural anthropophagy : the 24th Bienal de São Paulo, 1998
（Exhibition histories）
Afterall Books in association with the Center for Curatorial Studies, Bard College , Koenig Books [distributor], 2015
- : Koenig
大学図書館所蔵 全2件
注記
Bibliography: p. [287]-289
Includes index
内容説明・目次
内容説明
The 1998 Bienal de Sao Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of postcolonial globalization. The show employed the Brazilian notion of anthropophagy as both concept and method, encouraging "contamination" and "cannibalization" of the canon. By doing so it proposed a new model for large-scale curatorial projects that could effectively address nonspecialist audiences. Photographs and gallery plans reconstruct this important project, and an essay by Lisette Lagnado provides critical analysis and historical context. Additional texts by Renato Sztutman, Mirtes Marins de Oliveira and Carmen Morsch and Catrin Seefranz are complemented by recent interviews with curator Paulo Herkenhoff and participating artists.
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