Thomas Struth : nature & politics
著者
書誌事項
Thomas Struth : nature & politics
MACK, c2016
- タイトル別名
-
Nature and politics
Thomas Struth
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalogue of the exhibition held at Museum Folkwang, Essen, Germany, March 4-May 29, 2016; Berliner Festspiele, Martin-Gropius-Bau, Berlin, Germany, June 11-Sept. 18, 2016; High Museum of Art, Atlanta, Georgia, Oct. 16, 2016-Jan. 8, 2017; and Saint Louis Art Museum, St. Louis, Missouri, Fall 2017
Includes bibliographical references and index
内容説明・目次
内容説明
This catalogue accompanies a museum exhibition of the latest work of German artist, Thomas Struth. The touring show focuses on photographs Struth has made since his last major retrospective, which covered the years 1978-2010. The catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth's recent work.
Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth's enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist's work.
In recent years technology and the constructed landscape have become overarching subjects for Struth. Photographing at sites of techno-industrial and scientific research, including physics institutes, pharmaceutical plants, space stations, dockyards, nuclear facilities and operating theatres - he has focused on machines which are some of the transformative instruments of our contemporary world, and edifices of technological production where the heights of human knowledge are enacted, debated and advanced. These works explore the aesthetics of innovation and experimentation through the recording of structural complexities and allude to the hidden structures of control, power and influence exerted by advanced technologies.
In the same period, Struth was working on two quite distinct projects. The first was Disneyland, a theme park which was famously constructed by reference to Walt Disney's memories of his trips across Europe, transforming the passive experience of watching and of fantasy into a latent reality in California. Struth was attracted to this ultimate human-crafted environment, where technology has facilitated the materialisation of images from Walt Disney's imagination.
The second project was the contested landscape of Israel and Palestine where Struth created a series of images which collapsed his strict subject fields, producing urban landscapes, portraits, landscapes and photographs of technology. Each photograph is a fragment which attempts to grasp the circumscribed reality of a region where coexistence has failed.
Struth seeks, in his own words, "to open the doors to what our minds have materialised and transformed into sculpture and to scrutinise what our contemporary world has created in places which are not accessible to most people." His images penetrate and report on the material spaces of the human imagination, and they are born from an accelerated moment when technology and the image industry have brought physical reality and the imagination closer together
Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of urban views and architecture, landscapes, portraits, museums and places of worship. He trained at the Kunstakademie Dusseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule fur Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth (MACK, 2014), and Thomas Struth: Unconscious Places (Schirmer/Mosel, 2012).
Touring exhibition:
Museum Folkwang, Essen
Martin-Gropius Bau, Berlin
High Museum, Atlanta
St Louis Art Museum
Moody Center for the Arts, Houston
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