Communards and other cultural histories : essays by Adrian Rifkin

書誌事項

Communards and other cultural histories : essays by Adrian Rifkin

edited by Steve Edwards

(Historical materialism book series, v. 128)

Brill, c2017

  • : hardback

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注記

Includes bibliographical references (p. [508]-536) and index

"Bibliography of writings by Adrian Rifkin (to 2012)": p. [501]-507

内容説明・目次

内容説明

This collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf's role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin's essays.

目次

Acknowledgements ... ix List of Figures ... xii Introduction: Adrian Rifkin, or from Art History in Ruins to a Lost Object ... 1 Steve Edwards Re-Reading by Torchlight 40 Adrian Rifkin Part 1: New Art Histories 1.1 Art's Histories (1986) ... 51 1.2 Can Gramsci Save Art History? Traditional Art History - Some Aspects Of The Problem (1981) ... 57 1.3 Marx' Clarkism (1985) ... 69 1.4 Carmenology (1988) ... 84 1.5 History, Time and the Morphology of Critical Language, or Publicola's Choice (1994) ... 101 1.6 Bi-Centennial Literature on Art and the French Revolution (1990) ... 115 1.7 The Words of Art, the Artist's Status: Technique and Affectivity in France (1789-98) (1991) ... 124 1.8 From Structure to Enigma and Back, Perhaps (2005) ... 148 Part 2: Society, Image, Social Difference: Between the Paris Commune, the Salon and the People 2.1 Cultural Movement and the Paris Commune (1979) ... 169 2.2 The Sex of French Politics (1983) ... 196 2.3 No Particular Thing to Mean (1983) ... 206 2.4 Well Formed Phrases: Some Limits of Meaning in Political Print at the End of the Second Empire (1986) ... 229 2.5 Ingres and the Academic Dictionary: An Essay on Ideology and Stupefaction in the Social Formation of the 'Artist' (1983) ... 250 2.6 Success Disavowed: The Schools of Design in Mid-Nineteenth-Century Britain. (An Allegory) (1988) ... 272 2.7 Murals of the Buvette de la Commune - A Pictorial Dossier ... 297 Part 3: Paris and More on the People 3.1 Musical Moments (1987) ... 311 3.2 Parvenu or Palimpsest: Some Tracings of the Jew in Modern France (1995) ... 349 3.3 Il y a des mots qu'on souhaiterait ne plus lire (2005) ... 364 3.4 Gay Paris, Trace and Ruin (2002) ... 376 3.5 Americans Go Home: Which is More American, Paris-Texas or Paris-France? (2004) ... 388 Part 4: Alternatives to the Grander Schemas, or Resistance to the Critique of Grand Narrative as a Form of Grand Narrative 4.1 Down on the Upbeat: Adorno, Benjamin and the Jazz Question (1989) ... 405 4.2 Total Ellipsis: Zola, Benjamin and the Dialectics of Kitsch (1996) ... 416 4.3 The Long Run of Modernity, or an Essay in Post-Dating (1992) ... 434 4.4 Benjamin's Paris, Freud's Rome: Whose London? (1999) ... 451 4.5 Bayreuth, World City? Or: The Provincial Village as Global Denkmal (2011) ... 467 Part 5: Postscripts: Different Beginnings 5.1 The Paris Commune of 1871 and Political Print (1979) ... 483 5.2 For an Artist ... (2008) ... 494 5.3 No Thing to Regret (2001) ... 497 Bibliography of Writings by Adrian Rifkin (to 2012) ... 501 Bibliography ... 508 Index ... 537

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