Commemorative landscape painting in China
著者
書誌事項
Commemorative landscape painting in China
(Tang Center lecture series, 2007)
P.Y. and Kinmay W. Tang Center for East Asian Art, Dept. of Art and Archaeology, Princeton University, c2012
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 117-123) and index
内容説明・目次
内容説明
When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal.
In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
目次
Foreword 7 Preface and Acknowledgments 9 List of Illustrations 11 Chapter One 15 Early Commemorative Landscape in the Song Dynasty Chapter Two 41 Conspicuous Seclusion Chapter Three 79 What's in a Name? The Biehao Painting Notes 111 Selected Bibliography 117 Glossary of Chinese Names and Terms 125 Index 131
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