Literature and artistic practice in the sixteenth-century Italy
著者
書誌事項
Literature and artistic practice in the sixteenth-century Italy
(Brill's studies in intellectual history, v. 262 . Brill's studies on art,
Brill, c2017
- : hardback
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"The translation of this work has been funded by SEPS -- Segretariato Europeo per le Pubblicazioni Scientifiche"--T.p. verso
Includes bibliographical references (p. [421]-471) and index
内容説明・目次
内容説明
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors-Leonardo, Vasari, Armenini, Borghini, Lomazzo-she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate-'disegno', 'invenzione', the contrast between 'prestezza' and 'diligenza', the 'paragone'-are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
目次
INTRODUCTION No Man's Land - Technical treatises
1. "LIBRI DI BOTTEGA": A COVERT TRANSMISSION
1.1. The background
1.2. Among transcriptions and abridged versions: Leonardo's writings, the multiform life of a never-to-be-born treatise
1.3. The underground circulation of Cennino Cennini's Libro dell'arte
1.4. "My intention was to only write the lives and works of our artists, and not to teach the arts": the Introduzzione alle arti and techniques of painting in Vasari's Lives
1.5. Il Riposo by Raffaello Borghini: analysis of a text as a mirror of technical knowledge in the workshops at the end of the sixteenth century
1.6. De' veri precetti della pittura by Giovan Battista Armenini, a consciously "grammatical" approach
1.7. The Treatises of Giovan Paolo Lomazzo and the legacy of Leonardo in Lombardy
2. ISSUES AND FORMS
2.1 Disegno and invention: Schizzo, macchia, abbozzo, and the construction of the work of art
2.2. Prestezza and diligenza as a key for interpreting the relationship between technique and style
2.2.1. Armenini and Vasari: symptoms of discord
2.2.2. Chiaroscuro and grotesque: prestezza in two characteristic techniques of the Maniera
2.3. The Paragone: also a technical challenge
2.4. Colour and the counterfeiting of Nature
2.4.1. The beauty of colours
2.4.2. The atramentum of Apelles
3. THE PROCESSES
3.1. The technique of drawing
3.2. The preparation of cartoons. Transfer processes
3.3. Colours: pigments in treatises
3.3.1. Lists of colours in Borghini and Lomazzo
3.3.2. Armenini's "avertimenti" on pigments
3.3.3. Mixing the colours: from the "mestiche" to the palette
3.4. The myth of "true fresco"
3.5. Tempera painting
3.5.1. Vasari and egg tempera: revival of an outdated technique.
3.5.2. Glue-size tempera: tuchlein, "guazzo", "chiaroscuro"
3.6. Oil painting
3.6.1. Preparazione and imprimitura
3.6.2. The execution of a painting: "bozze" and "finiture"
3.6.3. Oil painting on wall
3.6.4. Sebastiano del Piombo's "nuovo modo" - from wall to slate
3.6.5. Painting on stone from Sebastiano to Vasari and the artists of the Medici Court
3.6.6. Paintings on copper - the beginnings
3.7. Varnish and finishing
3.7.1. The varnishes
3.7.2. The glazes
3.7.3. Finishes and retouching
4. THROUGH THE PAINTINGS: A FEW SIGNIFICANT CASE-STUDIES
4.1. Madonna del Divino Amore
4.2. Madonna della gatta
4.3. "Per questa confusione di segni" Additions to the genesis of a painting: the small paintings and the Calvary by Polidoro da Caravaggio
4.4. The Sacra Famiglia by Parmigianino
4.5. The paintings by Sebastiano del Piombo in the Capodimonte Museum, Naples
Index
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