The spectral piano : from Liszt, Scriabin, and Debussy to the digital age

Bibliographic Information

The spectral piano : from Liszt, Scriabin, and Debussy to the digital age

Marilyn Nonken

(Music since 1900)

Cambridge University Press, 2016

  • Paperback

Available at  / 3 libraries

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Note

Bibliography: p. [171]-182

contributory chapter by Hugues Dufourt

"First published 2014. First paperback edition 2016"

Description and Table of Contents

Description

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gerard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.

Table of Contents

  • 1. An intimate history
  • 2. Itinerary
  • 3. Protospectralists at the piano
  • 4. The first generation
  • 5. The spectral effect
  • 6. Spectral music and its pianistic expression Hugues Dufourt.

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Details

  • NCID
    BB23372923
  • ISBN
    • 9781316616413
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Cambridge
  • Pages/Volumes
    xvi, 192 p.
  • Size
    24 cm
  • Parent Bibliography ID
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