The invention of creativity : modern society and the culture of the new
著者
書誌事項
The invention of creativity : modern society and the culture of the new
Polity, c2017
- : pb
- タイトル別名
-
Die Erfindung der Kreativität : zum Prozess gesellschaftlicher Ästhetisierung
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of: Die Erfindung der Kreativität : zum Prozess gesellschaftlicher Ästhetisierung. Berlin : Suhrkamp, 2012
Includes bibliographical references and index
内容説明・目次
内容説明
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society.
In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the 'creative industries' and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of 'creative cities'. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society.
The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
目次
Contents
Preface to the English edition
Introduction: The Inevitability of Creativity
1. Aestheticisation and the creativity dispositif: The social regime of aesthetic novelty
2. Artistic creation, the genius and the audience: The formation of the modern artistic field
3. Centrifugal art: Dissolving the boundaries of art practices
4. The rise of the aesthetic economy: Permanent innovation, creative industries and the design economy
5. The psychological turn in creativity: From the pathological genius to the normalisation of the self as resource
6. The Genesis of the star system: The mass media construction of expressive individuality
7. Creative cities: Culturalising urban life
8. Society of creativity: Structures, dissonance, alternatives
Notes
Index
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