What drawing and painting really mean : the phenomenology of image and gesture
著者
書誌事項
What drawing and painting really mean : the phenomenology of image and gesture
（Routledge advances in art and visual studies）
Routledge, 2017
- : hbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
内容説明・目次
内容説明
There are as many meanings to drawing and painting as there are cultural contexts for them to exist in. But this is not the end of the story. Drawings and paintings are made, and in their making embody unique meanings that transform our perception of space-time and sense of finitude. These meanings have not been addressed by art history or visual studies hitherto, and have only been considered indirectly by philosophers (mainly in the phenomenological tradition). If these intrinsic meanings are explained and further developed, then the philosophy of art practice is significantly enhanced. The present work, accordingly, is a phenomenology of how the gestural and digital creation of visual imagery generates self-transformation through aesthetic space.
目次
List of fi gures
List of plates
Acknowledgments
Introduction: Drawing and Painting in the Age of Networks
1. The Cognitive Function of the Image
2. Origins of Drawing and Painting: the Hominid Creation of Aesthetic Space
3. The Phenomenology of Drawing and Painting
4. A Bigger Picture: Drawing, Painting, and the Structure of Aesthetic Space
5. Art's Eternalization of the Moment
6. The Aesthetic Space of Abstract Art
7. Conditions of Creativity: Drawing and Painting with Computers
Conclusion: Drawing and Painting at the Limits of Art
Bibliography
Index
「Nielsen BookData」 より