Biennials, Triennials, and documenta : the exhibitions that created contemporary art

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Biennials, Triennials, and documenta : the exhibitions that created contemporary art

Charles Green and Anthony Gardner

Wiley Blackwell, 2016

  • : pbk
  • : hbk

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Includes index

内容説明・目次

内容説明

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Mediterranee in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York's Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

目次

Preface vii Introduction 3 Part 1 The SecondWave 1 1972: The Rise of the Star-Curator 19 2 1979: Cultural Translation, Cultural Exclusion, and the Second Wave 49 3 1986: The South and the Edges of the Global 81 Part 2 The Politics of Legitimacy 4 1989: Asian Biennialization 111 5 1997: Biennials, Migration, and Itinerancy 145 Part 3 Hegemony or a New Canon 6 2002: Cosmopolitanism 183 7 2003: Delegating Authority 209 8 2014: Global Art Circuits 241 9 Conclusion 272 Index 279

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