The moral narratives of Hayao Miyazaki

書誌事項

The moral narratives of Hayao Miyazaki

Eric Reinders

McFarland & Company, c2016

大学図書館所蔵 件 / 7

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注記

Includes bibliographical references (p. 211-214) and index

内容説明・目次

内容説明

Widely regarded as Japan's greatest animated director, Hayao Miyazaki creates films lauded for vibrant characters and meaningful narrative themes. Examining the messages of his 10 full-length films--from Nausicaa (1984) to The Wind Rises (2013)--this study analyzes each for its religious, philosophical and ethical implications. Miyazaki's work addresses a coherent set of human concerns, including adolescence, good and evil, our relationship to the past, our place in the natural order, and the problems of living in a complex and ambiguous world. Exhibiting religious influences without religious endorsement, his films urge nonjudgment and perseverance in everyday life.

目次

Table of Contents Acknowledgments Introduction: What Does a Story Mean? 1. If You Think There’s a Solution, You’re Part of the Problem: Nausicaä of the Valley of the Wind  2. Learning to Live with the Monster: Laputa, Castle in the Sky  3. The Difference Between Wandering and Being Lost: My Neighbor Totoro  4. The Difference Between Work and Play: Kiki’s Delivery Service  5. “All humanity’s not a waste”: Porco Rosso  6. It’s Not About Winning—It’s About Not Giving Up: Princess Mononoke  7. There Is Nothing New Except What Has Been Forgotten: Spirited Away  8. A Face Without Sadness Is Less Beautiful: Howl’s Moving Castle  9. Being Human Is Trying: Ponyo 10. Eyes Clouded by Beauty: The Wind Rises 11. What Does to Live Mean? Appendix 1. Continuing the Stories Appendix 2. Plot Summaries Chapter Notes Bibliography Index

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