That is to say : Heidegger's poetics

書誌事項

That is to say : Heidegger's poetics

Marc Froment-Meurice ; translated by Jan Plug

(Meridian : crossing aesthetics / Werner Hamacher & David E. Wellbery, editors)

Stanford University Press, 1998

  • : pbk

タイトル別名

C'est à dire : poétique de Heidegger

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注記

"That is to say: Heidegger's poetics was originally published in French in 1996 under the title, C'est à dire: poétique de Heidegger, c1996 by Editions Galilée"--T.p. verso

Includes bibliographical references (p. 255-257)

内容説明・目次

内容説明

This is the first authoritative, book-length study of what Heidegger called thinking poetics. That Is to Say conducts its analysis of Heideggerian poetics by expounding the sense of language from the perspective of fundamental ontology. This project is carried out in readings of the pertinent chapters of Being and Time, the lectures on Hslderlin, The Origin of the Work of Art, and On the Way to Language. The book is guided by a question that no other writer on Heidegger has yet asked: Why should poiesis provide a privileged access to the specificity of the poetic? With this question guiding his quite unorthodox analyses of Heidegger's texts on poetics and the work of art, the author sheds new light on every aspect of Heidegger's philosophy. The analyses devoted to Heidegger's idea of a proximity between thinking and poetry, his conception of Holderlin as the poet, of poetic experience, and of the privilege he accords the name reveal a series of presuppositions and necessary assumptions in Heidegger's conception of poetry that not only remain unthought by Heidegger himself, but that, strictly speaking, cannot be thought in terms of what Heidegger understood by thinking.

目次

  • Before saying: a foreword
  • 1. Herme's gift
  • 2. The eye of the word
  • 3. The path to language
  • 4. The essence of poetry
  • 5. The witness of being
  • 6. In (the) place of being, Antigone (the retrait of the polis)
  • 7. On the origin (of art)
  • 8. Step (not) beyond.

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