Envisioning gender in Burgundian devotional art, 1350-1530 : experience, authority, resistance
著者
書誌事項
Envisioning gender in Burgundian devotional art, 1350-1530 : experience, authority, resistance
(Women and gender in the early modern world)(An Ashgate book)
Routledge, 2017, c2005
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Originally published: Aldershot : Ashgate, 2005
Includes bibliographical references and index
内容説明・目次
内容説明
Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.
目次
- Contents: Introduction: Performing gender in the Burgundian Netherlands
- Authority and community in women's books of hours
- Regendering the faith: books of hours, devotional portrait diptychs, and the affirmation of men
- The problem of male embodiment in two diptychs from Bruges
- Nuns and clerics: ambiguous authority in a devotional portrait diptych
- Disrupting gender at the court of Margaret of Austria
- Conclusion
- Appendix
- Bibliography
- Index.
「Nielsen BookData」 より