In/visible war : the culture of war in twenty-first-century America

Bibliographic Information

In/visible war : the culture of war in twenty-first-century America

edited by Jon Simons and John Louis Lucaites

(War culture)

Rutgers University Press, c2017

  • : pbk

Other Title

Invisible war

Visible war

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Note

Includes bibliographical references and index

Description and Table of Contents

Description

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans.   Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.    

Table of Contents

Acknowledgments Introduction: The Paradoxical In/visibility of War John Louis Lucaites and Jon Simons Part I: Seeing War Chapter 1: How Photojournalism Has Framed the War in Afghanistan David Campbell     Chapter 2: Returning Soldiers and the In/visibility of Combat Trauma Christopher J. Gilbert and John Louis Lucaites     Chapter 3: (Re)fashioning PTSD’s Warrior Project Jeremy G. Gordon     Chapter 4: Unremarkable Suffering: Banality, Spectatorship, and War’s In/visibilities Rebecca A. Adelman and Wendy Kozol Transition “War Is Fun,” a Photo-Essay Nina Berman     Chapter 5: Laying bin Laden to Rest: A Case Study of Terrorism and the Politics of Visibility Jody Madeira     Part II: Not Seeing War Chapter 6: Digital War and the Public Mind: Call of Duty Reloaded, Decoded Roger Stahl     Chapter 7: A Cinema of Consolation: Post-9/11 Super Invasion Fantasy De Witt Douglas Kilgore     Chapter 8: Differential Configurations: In/visibility through the Lens of Kathryn Bigelow’s The Hurt Locker (2008) Claudia Breger     Chapter 9: Canine Rescue, Civilian Casualties, and the Long Gulf War Purnima Bose Part III: Theorizing the In/visibility of War Chapter 10: The In/visibility of Liberal Peace: Perpetual Peace and Enduring Freedom Jon Simons Chapter 11: Why War? Baudrillard, Derrida, and the Absolute Televisual Image Diane Rubenstein Chapter 12: War in the Twenty-first Century: Visible, Invisible, or Superpositional? James Der Derian     Notes on Contributors Photo Credits Index  

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