TV peaks : Twin Peaks and modern television drama
著者
書誌事項
TV peaks : Twin Peaks and modern television drama
（University of Southern Denmark studies in art history, v. 9）
University Press of Southern Denmark, 2015
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 235-247) and index
内容説明・目次
内容説明
In 1990, American television was in the midst of a transition, but three major networks still dominated the American TV landscape: CBS, NBC and ABC. CBS and NBC had a financial stronghold, and ABC was "languishing in last place". The crisis of ABC called for something new, for something that would break the mould and reposition the network. Executives like Robert Iger were willing to take a risk, even if network television was largely conservative, and the willingness to push the envelope made way for a new and edgier type of television drama. Meanwhile, the producer and agent Tony Krantz had talked to David Lynch, the director of Eraserhead (1977) and Blue Velvet (1986), about going into television. This was the beginning of the show Twin Peaks (ABC, 1990-1991), a drama series which was created by David Lynch and Mark Frost, and which would come to push the boundaries of TV drama in many different ways. This book explores the last 25 years of American and Scandinavian television, and argues that Twin Peaks was a game changer, pointing to a more transgressive, genre-bending and serialised type of TV drama. Structural changes in the TV landscape were an important factor, as were the rise of new outlets, new media and new modes of viewing. The way we watch TV has, indeed, changed during the last 25 years, but so has the way we view television, and, in this context, Twin Peaks has been a small but important factor. Based on interviews with numerous TV scholars, fans and cast and crew members, the book investigates the recent changes in television, at a time when Twin Peaks might be coming back.
「Nielsen BookData」 より