Performance practice in the music of Steve Reich
著者
書誌事項
Performance practice in the music of Steve Reich
(Music since 1900)
Cambridge University Press, 2016
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [241]-253
Includes index
内容説明・目次
内容説明
Performance Practice in the Music of Steve Reich provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music.
目次
- Foreword Steve Reich
- Introduction, 1. Drumming, early days
- 2. Percussion and Drumming
- 3. The process of composing Drumming
- 4. Drumming, Part I
- 5. Drumming, Part II
- 6. Drumming, Part III
- 7. Drumming, Part IV
- 8. Acoustics of Drumming
- 9. Anatomy of a phase
- 10. Performance practice in Drumming
- 11. Clapping Music
- 12. Music for Pieces of Wood
- 13. Six Pianos
- 14. Music for Mallet Instruments, Voices, and Organ
- 15. Music for 18 Musicians
- 16. Inside rhythm.
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