Understanding Rancière, understanding modernism
Author(s)
Bibliographic Information
Understanding Rancière, understanding modernism
(Understanding philosophy, understanding modernism)
Bloomsbury Academic, 2017
- : HB
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
The contemporary philosopher Jacques Ranciere has become over the last two decades one of the most influential voices in philosophy, political theory, and literary, art historical, and film criticism. His work reexamines the divisions that have defined our understanding of modernity, such as art and politics, representation and abstraction, and literature and philosophy. Working across these divisions, he engages the historical roots of modernism at the end of the eighteenth century, uncovering forgotten texts in the archive that trouble our notions of intellectual history. The contributors to Understanding Ranciere, Understanding Modernism engage with the multiplicity of Ranciere's thought through close readings of his texts, through comparative readings with other philosophers, and through an engagement with modernist works of art and literature. The final section of the volume includes an extended glossary of the most important terms used by Ranciere, which will be a valuable resource for experts and students alike.
Table of Contents
Notes on Contributors
Series Preface
List of Abbreviations
Introduction
Patrick M. Bray, Ohio State University, USA
Part I - Conceptualizing Ranciere
1. The Hatred of Democracy and "The Democratic Torrent": Ranciere's Micropolitics
Emily Apter, New York University, USA
2. Ranciere's Nineteenth Century: Equality and Recognition in Nights of Labor
Bettina Lerner, City College CUNY, USA
3. The Ignorant Schoolmaster: Intellectual Emancipation in Circular Form
Leon Sachs, University of Kentucky, USA
4. Literature as Rancierian Film Fable
Margaret C. Flinn, Ohio State University, USA
5. The Emancipated Spectator and Modernism
Cary Hollinshead-Strick, American University of Paris, France
6. Mute Speech: The Silence of Literature in Ranciere's Aesthetic Paradigm
Giuseppina Mecchia, University of Pittsburgh, USA
7. Le Fil Perdu: The Music of the Indistinct
David F. Bell, Duke University, USA
Part II - Ranciere and Aesthetics
8. A Method of Equality: Ranciere, Jokes, and their Relation to They Drive by Night
Tom Conley, Harvard University, USA
9. Feminist Art: Disrupting and Consolidating the Police Order
Tina Chanter, Kingston University London, UK
10. Ranciere and Proust: Two Temptations
Suzanne Guerlac, University of California, Berkeley, USA
11. The Conception of the Will in Ranciere's Aesthetic Regime of the Arts: Pathos and Reverie in Stendhal, Ibsen and Freud
Alison Ross, Monash University, Australia
12. Dreaming Bourdieu Away: Ranciere and the Reinvented Habitus
Marina Van Zuylen, Bard College, USA
13. Rethinking the Aesthetics/Politics Nexus in Latin America
Silvia L. Lopez, Carleton College, USA
Part III - Glossary of Key Terms
Distribution of the Sensible
Daniel Brant, University of Illinois at Urbana-Champaign
Fable
Audrey Evrard, Fordham University, USA
Intellectual Equality
Zakir Paul, University of Chicago, USA
Mute Speech
Alison James, University of Chicago, USA
Regimes of Art
Robert St. Clair, Dartmouth College, USA
Part IV - Interview with Jacques Ranciere
'Understanding Modernism, Reconfiguring Disciplinarity,' interview with Ranciere
translated by Patrick M. Bray, Ohio State University, USA
Index
by "Nielsen BookData"