Studying contemporary American film : a guide to movie analysis
著者
書誌事項
Studying contemporary American film : a guide to movie analysis
Bloomsbury Academic, 2012, c2002
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First edition published in Great Britain in 2002 by Arnold"--T.p. verso
Includes bibliographical references (p. [294]-302) and index
内容説明・目次
内容説明
How should the student set about analysing contemporary American cinema? This book takes an innovative approach to film analysis: each chapter examines the assumptions behind one traditional theory of film, distils a method of analysis from it, and then analyses a contemporary American movie. It then goes beyond the traditional theory by analysing the same movie using a more current theory and method. Traditional theories featured include mise en scene criticism, auteurism, structural analysis, narratology, studies of realism, psychoanalysis, and feminism. More current theories include new and post-Lacanian approaches to subjectivity, cognitivism, computerised statistical style analysis, the philosophy of modal logic, new media theory, and deconstruction. Films analysed include Chinatown, Die Hard, The Silence of the Lambs, Jurassic Park, The Lost World, Back to the Future, Lost Highway, plus two European imitations of American filmmaking, The English Patient and The Fifth Element. All students of film and popular culture will find this book ideal preparation for writing clear, well-structured, detailed analysis of their favourite American movies.
目次
- Film theory, methods and analysis
- classical/post-classical narrative (Die Hard)
- mise en scene criticism and statsitical style analysis (The English Patient)
- from thematic criticism to deconstructive analysis (Chinatown)
- S/Z, the "readerly" film, and video game logic (The Fifth Element)
- cognitive theories of narration (Lost Highway)
- realism in the photographic and digital image (Jurassic Park and The Lost World)
- Oedipal narratives and post-Oedipal (Back to the Future)
- feminism, Foucault and Deleuze (The Silence of the Lambs)
- conclusion.
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