Contemporary Irish poetry and the canon : critical limitations and textual liberations
著者
書誌事項
Contemporary Irish poetry and the canon : critical limitations and textual liberations
(New directions in Irish and Irish American literature)
Palgrave Macmillan, c2017
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 231-244) and index
内容説明・目次
内容説明
'This book makes an important intervention into debates about influence and contemporary Irish poetry. Supported throughout by incisive reflections upon allusion, word choice, and formal structure, Keating brings to the discussion a range of new and lesser known voices which decisively complicate and illuminate its pronounced concerns with inheritance, history, and the Irish poetic canon.' - Steven Matthews, Professor of English Literature, University of Reading, UK, and author of Irish Poetry: Politics, History, Negotiation and Yeats As Precursor
This book is about the way that contemporary Irish poetry is dominated and shaped by criticism. It argues that critical practices tend to construct reductive, singular and static understandings of poetic texts, identities, careers, and maps of the development of modern Irish poetry. This study challenges the attempt present within such criticism to arrest, stabilize, and diffuse the threat multiple alternative histories and understandings of texts would pose to the formation of any singular pyramidal canon. Offered here are detailed close readings of the recent work of some of the most established and high-profile Irish poets, such as Paul Muldoon and Medbh McGuckian, along with emerging poets, to foreground an alternative critical methodology which undermines the traditional canonical pursuit of singular meaning and definition through embracing the troubling indeterminacy and multiplicity to be found within contemporary Irish poetry.
目次
1. Introduction: Spectres of Irish Poetry.- 2. Paul Muldoon's Horse Latitudes: Absence, Interdependence, and Death.- 3. Source Texts and Authorial Identity in Medbh McGuckian's "The Good Wife Taught her Daughter".- 4. Paul Durcan and the Death of the Parent in Daddy, Daddy and The Laughter of Mothers.- 5. The Unreality of Time and the Death of the Sibling in the Poetry of Tom French.- 6. Bilingualism and the Death of the Dual Tradition in Celia de Freine's imram | odyssey.- 7. The Death of the Poem: Geoffrey Squires's 'texts for screen'.- 8. Conclusion.-
「Nielsen BookData」 より