Transnational cinematography studies
著者
書誌事項
Transnational cinematography studies
Lexington Books, c2017
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Transnational Cinematography Studies introduces new perspectives to the discipline of film and media studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the substantial communication between critical studies of cinema and film production practices. This book integrates theories and practices of cinematographic technology. Secondly, Transnational Cinematography Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now discussed in terms of globalization of audio-visual cultures, with regard to such issues as Hollywood film studios' so-called "runaway productions" and multi-national co-productions; Hollywood remakes of Asian horror films or Hong-Kong martial arts films; and the growing significance of international film festivals. However, this volume proposes that globalization is not in itself new in the history of cinema, and that cinema has always been at the forefront of transnational culture from the beginning of its history.
目次
Preface by Roberto Schaefer
Introduction by Daisuke Miyao
Chapter 1: Leviathan, by Lindsay Coleman
Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak
Nielsen
Chapter 3: A Travers: The Cinematography of Depth in Japan, by Daisuke Miyao
Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger
Deakins and the Emergence of a Transnational Cinematic Language, by Evan
Lieberman
Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?,
by Patrick Keating
Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team,
by Peter H. Rist
Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas
Chapter 8: The Transnational Gothic Visions of Luis Bunuel and Gabriel Figueroa,
by Ceri Higgins
Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special
Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock
About the Editors and Contributors
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