The sense of film narration
著者
書誌事項
The sense of film narration
（Edinburgh studies in film and intermediality）
Edinburgh University Press, 2015
- : pbk
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注記
Originally published in hardback 2013
Includes bibliographical references and index
内容説明・目次
内容説明
This book investigates the sensuous qualities of narration in the feature length fiction film. The Sense of Film Narration examines films that combine different types of images and sounds in a way that brings out their sensuous qualities in an especially vivid manner. It demonstrates that a film's sensuous qualities can be intimately connected to its storytelling processes. Through close textual analysis of films such as Amores Perros, Double Take, Toy Story 2, Palindromes and Magnolia, this book highlights how films can make viewers particularly aware of their senses in order to help them understand the events, behaviours and attitudes within a film's fictional world. The crash scenes in Amores Perros; films that feature images of different textures/properties (e.g. b&w versus colour; digital video vs. film): Double Take and Toy Story 2 & 3; films that feature multiple voiceover: All About Eve, Happy Together, Gummo, and Magnolia and films that feature multiple actors playing the same character: Don't Look Back, The Imaginarium of Dr Parnassus, Palindromes, and I'm Not There.
目次
- Introduction
- Chapter One: Analysing Film Texturally
- Chapter Two: Sensation and Narrative Sense in Amores Perros
- Chapter Three: Storytelling Through the Imperfect Image
- Chapter Four: Sighs and Sounds: The Materiality of the Voiceover
- Chapter Five: The Dramatic Affect of Multiple Casting
- Conclusion.
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