CiNii 図書 - Cinematic homecomings : exile and return in transnational cinema

The history of cinema charts multiple histories of exile. From the German emigres in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.

Acknowledgements Introduction - Rebecca Prime, Hood College, USA I. Transatlantic Modes of Production Come Back to Erin: Themes of Exile and Return in the "O'Kalem" Films Peter Flynn, Emerson College, USA Alexander Korda and Peter Lorre: Central European Exile and the Illusion of Return Catherine Portuges, University of Massachusetts, Amherst, USA From Blacklists to Black Films: The Hollywood Radicals Return Home Rebecca Prime, Hood College, USA II. Nostalgic Visions, Imagined Homelands Between Longing and Belonging: Diasporic Return in Contemporary South Korean Cinema We Jung Yi, New York University, USA Three Ages of Russian Nostalgia: Nostalgia, Window to Paris, and Brother 2 Milla Federova, Georgetown University, USA Beyond Return in Turkish Diasporic Cinema Silvia Kratzer, UCLA, Chapman University, Pepperdine University, USA III. Exilic Subjectivity and the Politics of Return Staying Home: Cuban Exile Film from Within Mariana Johnson, University of North Carolina-Wilmington, USA Chilean Exile Cinema and its Homecoming Documentaries Jose Miguel Palacios, New York University, USA Burning Straw Men: The 1979 Revolution and Bahman Farmanara's Stubborn Cosmopolitanism Matthew Holtmeier, Western Washington University, USA IV. Re-visioning the Past Returning to Rubble: Fritz Kortner's The Last Illusion Martina Moeller, Universite Mohammed V in Rabat, Morocco Healing Journeys: Return as Therapy in Walk on Water Ido Ramati, Hebrew University of Jerusalem, Israel V. The Roving Gaze Narratives of Return in the Films of Ousmane Sembene and Djibril Diop Malini Guha, Carleton University, Canada Sleeping with Strangers: Queering Home and Identity in I Don't Want to Sleep Alone Kai-man Chang, Tulane University, USA A Moroccan Homecoming: The Fabulation of Family and Home in Izza Genini's Retrouver Oulad Moumen Stefanie Van de Peer, University of Stirling, UK Zero Degrees of Separation: Post-Exilic Return in Denis Villeneuve's Incendies Claudia Kotte, Humboldt University, Germany Afterword - Dina Iordanova, University of St. Andrews, UK Contributors Index

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