Mark Rylance at the Globe
著者
書誌事項
Mark Rylance at the Globe
（The Arden Shakespeare）（Shakespeare in the theatre）
Bloomsbury Arden Shakespeare, 2017
- : hb
- : pb
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [227]-243) and index
内容説明・目次
内容説明
Shakespeare in the Theatre: Mark Rylance at the Globe
Each volume in the Shakespeare in the Theatre series focuses on a director or theatre company who has made a significant contribution to Shakespeare production, identifying the artistic and political/social contexts of their work. The series introduces readers to the work of significant theatre directors and companies whose Shakespeare productions have been transformative in our understanding of his plays in performance. Each volume examines a single figure or company, considering their key productions, rehearsal approaches and their work with other artists.
Since its opening in the late 1990s, the reconstructed Shakespeare's Globe Theatre has made an indelible impression on the contemporary British theatre scene. This book explores the theatre's first decade of productions under the pioneering leadership of Sir Mark Rylance. Drawing upon an extensive range of material from the theatre's archive, interviews with Globe practitioners, and Rylance's own personal archive, this book argues that the Rylance era was a ground-breaking and important period of recent theatre history. It concludes with an in-depth interview with Rylance himself. The book gives a unique insight into Rylance's practice and impact, and will be of interest to anyone studying Shakespeare in performance.
Stephen Purcell is Associate Professor of English at the University of Warwick. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include the books Popular Shakespeare and Shakespeare and Audience in Practice. He also directs for the open-air theatre company The Pantaloons.
Series Editors: Bridget Escolme, Queen Mary University of London, UK, Peter Holland, University of Notre Dame, USA and Farah Karim-Cooper, Shakespeare's Globe, London ,UK.
目次
Introduction
1 Experiment and Reaction: The 1995-1998
Seasons
2 Masters of Play: Directing at the Globe
3 Shared Experiences: The Actor/Audience
Relationship
4 The Politics of Performance at the Globe
5 An Interview with Mark Rylance
Epilogue: Legacy and Return
「Nielsen BookData」 より
