The politics of memory in Sinophone cinemas and image culture : altering archives
著者
書誌事項
The politics of memory in Sinophone cinemas and image culture : altering archives
(RoutledgeCurzon contemporary China series, 179)
Routledge, 2018
- : hbk
- タイトル別名
-
The politics of memory in Sinophone cinemas and image culture altering archives
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Cinema archives memories, conserves the past, and rewrites histories. As much as the Sinophone embodies differences, contemporary Sinophone cinemas in Taiwan, Hong Kong, and the People's Republic of China invest various images of contested politics in order to assert different histories and self-consciousness. As such, Sinophone cinemas and image production function as archives, with the capability of reinterpreting the multiple dimensions of past and present.
The Politics of Memory in Sinophone Cinemas and Image Culture investigates Sinophone films and art projects that express this desire for archiving and reconfiguring the past. Comprising ten chapters, this book brings together contributors from an array of disciplines - artists, filmmakers, curators, film critics, and literary scholars - to grapple with the creative ambiguities of Sinophone cinemas and image culture. Blending eclectic methods of scholarly research, knowledge-making, and art-making into a new discursive space, the chapters address the diverse complexities of the cinematic culture and image production in Sinitic language regions.
This book is a valuable resource for students and scholars of film studies, China studies, East Asian studies, Taiwan studies, and Sinophone studies, as well as professionals who work in the film industry.
目次
Introduction
I. Remembering China: The Individual Self, the Collective, and the State Apparatus
Chapter 1. Why Remember Everyday Movie-Going in Cultural Revolution Shanghai?
Chapter 2. Persuasive Communication in Chinese Historical Film: The Founding of a Republic as a Milestone
Chapter 3. Images of Redress and Rehabilitation: "pingfan (in) film" and perceptions of coming to terms with the past in China
Chapter 4. A Familiar Stranger - Grierson in China
II. Politicizing Archives: Artists and Digital History
Chapter 5. The Use and Abuse of the Archives in Contemporary Art
Chapter 6. Making Reverberation: Residue of Sounds and Images
Chapter 7. The Digital Emergence of a New History: The Archiving of Colonial Japanese Documentaries on Taiwan
III. Manufactured Archives: the Fictional Memory
Chapter 8. Wong Kar-wai's Mood Trilogy: Robot, Tears, and the Affective Aura
Chapter 9. The Missing and the Fictional Memory: Leitmotifs of Tsai Ming Liang's Oeuvre
Chapter 10. Light and Shadow of Jianghu: Peering into the Contemporary Political Mythology in Crouching Tiger, Hidden Dragon, Hero and The Grandmaster
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