Beyond the great wave : the Japanese landscape print, 1727-1960
著者
書誌事項
Beyond the great wave : the Japanese landscape print, 1727-1960
（Natur, Wissenschaft und die Künste = Nature, science et les arts = Nature, science and the arts, Bd. 2）
Peter Lang, c2010
- : pbk
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注記
Includes bibliographical references (p. 213-219) and index
内容説明・目次
内容説明
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected.
Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sosaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
目次
Contents: The Great Wave - The Anxieties of Influence: Chinese Abstraction, Japanese Reality - Outsiders within the Floating World: Ukiyo-e Landscape Prints, 1727-1830 - Hokusai, the Perfect Artist - Hiroshige, the Perfect Eye - Poetical Landscapes, Meiji Illuminations - Memory and Nostalgia: Shin-hanga - Renewals: Sosaku-hanga.
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