The economics of music
著者
書誌事項
The economics of music
(The economics of big business)
Agenda Pub., 2017
- : pbk
- : hardcover
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 198-209) and index
内容説明・目次
内容説明
The music industry is one of the most dynamic and fascinating business sectors. Its business model has continually to adapt and react to changing technologies that impact at every level from distribution to artist management.
The Economics of Music provides a concise and rigorous presentation of the economics of the music business. It highlights the economic principles that govern a business that is an economic good protected by copyright law. The core sectors of the industry - publishing, recording, live music - are examined and how they operate together through a myriad of licencing arrangements.
The revenue streams for recording companies are analysed alongside the income stream of musicians to show how particular formats and platforms affect profit margins and how live performance now outstrips music sales as the primary source of income for today's artists.
The book shows how a combination of established publishers, new promoters and a new generation of music providers has created a heady mix of competing and collaborative economic models. Add to this a growing DIY culture among musicians and the ever-changing behaviour of consumers and, as the author shows, we have the most challenging of economic landscapes but one nevertheless capable of generating huge returns.
目次
Introduction
1. A short economic history of the music business
2. Microeconomics of music: music as an economic good
3. The economics of music copyright
4. Music publishing
5. Sound recording
6. Live music
7. Secondary music markets
8. Music labour markets
9. Economics of the digital music business
Conclusion
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