The Routledge research companion to the works of Sor Juana Inés de la Cruz

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The Routledge research companion to the works of Sor Juana Inés de la Cruz

edited by Emilie L. Bergmann and Stacey Schlau

Routledge, 2017

  • : hbk

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Includes bibliographical references (p. 276-312) and index

内容説明・目次

内容説明

Called by her contemporaries the "Tenth Muse," Sor Juana Ines de la Cruz (1648-1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women's and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.

目次

Table of Contents Introduction. Emilie L. Bergmann and Stacey Schlau A Note About Conventions I. Contexts 1. "The Empire and Mexico City: Religious, Political, and Social Institutions of a Transatlantic Enterprise." Alejandro Caneque 2. "The Creole Intellectual Project: Creating the Baroque Archive." Yolanda Martinez-San Miguel 3. "The Gendering of Knowledge in New Spain: Enclosure, Women's Education, and Writing." Stephanie Kirk II. Reception History 4. "Seventeenth Century Dialogues: Transatlantic Readings of Sor Juana." Monica Diaz 5. "Seventeenth-, Eighteenth-, and Nineteenth-Century Readings: Hagiography and Nationalism." Martha Lilia Tenorio 6. "Twentieth Century Readings: Schons, Pfandl, and Paz." Marie-Cecile Benassy-Berling 7. "Passionate Advocate: Sor Juana, Feminisms, and Sapphic Loves." Amanda Powell 8. "Translations of Sor Juana Ines de la Cruz: Ideology and Interpretation." Isabel Gomez 9. "'My original, a woman': Copies, Origins, and Sor Juana's Iconic Portraits." J. Vanessa Lyon 10. "Contemporary Mexican Sor Juanas: Artistic, Popular, and Scholarly." Emily Hind III. Interpretations of and Debates about the Works A. Prose Works 11. "The Afterlife of a Polemic: Conflicts and Discoveries Regarding Sor Juana's Letters." Marie-Cecile Benassy-Berling 12. "Challenging Theological Authority: The Carta Atenagorica /Crisis de un sermon and the Respuesta a sor Filotea." Grady Wray B. Verse 13. "Sor Juana's Love Poetry: A Woman's Voice in a Man's Genre." Emilie L. Bergmann 14. "Sor Juana's Romances: Between Fame, Contemplation, and Celebration." Rocio Quispe-Agnoli 15. "Philosophical Sonnets: Through a Baroque Lens." Luis Aviles 16. "Primero sueno: Heresy and Knowledge." Alessandra Luiselli. C. Theater and Public Art 17. "Writing for the Public Eye: Theatrical Production, Church Spectacle, and State-Sponsored Art (The Neptuno alegorico)." Veronica Grossi 18. "Sor Juana as Lyricist and Musical Theorist." Mario Ortiz 19. "Loa to El Divino Narciso: The Costs of Critiquing the Conquest." Ivonne del Valle 20. "The Autos: Theology on Stage." Linda Egan 21. "Los empenos de una casa: Staging Gender." Susana Hernandez Araico 22. "Recently Discovered Plays: La segunda Celestina and Amor es mas laberinto." Guillermo Schmidhuber IV. Future Directions for Research 23. "Understudied Aspects of Canonical Works and Potential Approaches to Little-Studied Works." George Antony Thomas Works Cited

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